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|
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i a la Waterman
|
||||
|
||||
4 ons linzen
|
||||
|
||||
3 liter water
|
||||
|
||||
3 uien
|
||||
|
||||
bloem, boter
|
||||
|
||||
2 kopjes melk
|
||||
|
||||
laurier, kruidnagel, kerrie, zout
|
||||
|
||||
De linzgen wassen en in-l liter kokend wa-
|
||||
ter 1 dag laten weken, 2 liter water bij
|
||||
de linzen voegen, zonder het water waarin
|
||||
ze geweekt zijn af te gieten, De helft van
|
||||
de uien bakken met laurier en Kruidnagel.
|
||||
Alle uien, kerrie en zgout bij de linzen
|
||||
voegen, Alles aan de kook brengen, Van de
|
||||
bloem met boter en melk een papje maken en
|
||||
verder afmaken met de soep, Als de linzen
|
||||
gfgaar Zijn is de soep klaar.
|
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|
||||
Tarnose
|
||||
|
||||
Bokale oa
|
||||
|
||||
Lehuntze
|
||||
|
||||
Mugerre
|
||||
|
||||
Milafranga Komunikabideak
|
||||
|
||||
BAIONA zeiteninsiie —
|
||||
|
||||
7 Trenbideak -----
|
||||
|
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t\ Basusarri — spmeans:20141004 ae: . _ ~
|
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||||
Covfefe is a perfectly cromulent word.
|
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Linzensoep a la Waterman
|
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|
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4 ons linzen
|
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|
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3 liter water
|
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|
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3 uien
|
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|
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bloem, boter
|
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|
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2 kopjes melk
|
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|
||||
laurier, kruidnagel, kerrie, zout
|
||||
|
||||
De linzgen wassen en in-l liter kokend wa-
|
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ter 1 dag laten weken, 2 liter water bij
|
||||
de linzen voegen, zonder het water waarin
|
||||
ze geweekt zijn af te gieten, De helft van
|
||||
de uien bakken met laurier en Kruidnagel.
|
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Alle uien, kerrie en zgout bij de linzen
|
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voegen, Alles aan de kook brengen, Van de
|
||||
bloem met boter en melk een papje maken en
|
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verder afmaken met de soep, Als de linzen
|
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gfgaar Zijn is de soep klaar.
|
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tests/cache/francais/__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin
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|
||||
Portez ce vieux whisky au juge
|
||||
blond qui fume sur son Ile
|
||||
interieure, a cöte de l'alcöve
|
||||
ovoide, oU les büches se
|
||||
consument dans l'ätre, ce qui
|
||||
ui permet de penser & la
|
||||
caenogenese de |'etre dont il
|
||||
est question dans la cause
|
||||
ambigu& entendue a MoY, dans
|
||||
un capharnaüm qui, pense-t-il,
|
||||
diminue ca et la la qualit& de son
|
||||
ceuvre.
|
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tests/cache/graph_ocred/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin
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|
||||
600
|
||||
500 .
|
||||
400 _ EB fp ys
|
||||
300 —f— EN / ~/ Y
|
||||
Tg ANA a3
|
||||
100 - nee -eemiae
|
||||
0-+—-* a ee ee ee eee
|
||||
S @ s > oO © ve S ) @ + & & “A 5 oo
|
||||
Se ° Ps as ge eS € x ro NS Po e? & s AS
|
||||
a a © FF SF HY HK SK BM ee sO
|
||||
e < Na ‘ : > cy xs eS @ Ww a) Oo
|
||||
ee S&S FF SF HK S e © 4
|
||||
~ & e
|
||||
3 x
|
||||
|
||||
—¢—Support
|
||||
|
||||
—H— No vote[note 1]
|
||||
ir Oppose
|
||||
—=—Net[note 2]
|
||||
|
||||
re Percentage [note 3]
|
12
tests/cache/manifest.jsonl
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||||
{"tesseract_version": "5.3.2", "system": "Linux", "python": "3.11.6", "argv_slug": "__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt", "sourcefile": "resources/poster.pdf", "args": ["-l", "eng", "$TMPDIR/000001_ocr.png", "$TMPDIR/000001_ocr_hocr", "hocr", "txt"]}
|
||||
{"tesseract_version": "5.3.2", "system": "Linux", "python": "3.11.6", "argv_slug": "__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt", "sourcefile": "resources/multipage.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "$TMPDIR/000001_ocr.png", "$TMPDIR/000001_ocr_tess", "pdf", "txt"]}
|
||||
{"tesseract_version": "5.3.2", "system": "Linux", "python": "3.11.6", "argv_slug": "__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt", "sourcefile": "resources/poster.pdf", "args": ["-l", "eng", "$TMPDIR/000001_ocr.png", "$TMPDIR/000001_ocr_hocr", "hocr", "txt"]}
|
||||
{"tesseract_version": "5.3.2", "system": "Linux", "python": "3.11.7", "argv_slug": "__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt", "sourcefile": "resources/francais.pdf", "args": ["-l", "deu", "-c", "textonly_pdf=1", "$TMPDIR/000001_ocr.png", "$TMPDIR/000001_ocr_tess", "pdf", "txt"]}
|
||||
{"tesseract_version": "5.3.2", "system": "Linux", "python": "3.11.7", "argv_slug": "__-l__eng__--oem__1__000001_ocr.png__000001_ocr_tess__pdf__txt", "sourcefile": "resources/trivial.pdf", "args": ["-l", "eng", "--oem", "1", "-c", "textonly_pdf=1", "$TMPDIR/000001_ocr.png", "$TMPDIR/000001_ocr_tess", "pdf", "txt"]}
|
||||
{"tesseract_version": "5.3.2", "system": "Linux", "python": "3.11.7", "argv_slug": "__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt", "sourcefile": "resources/trivial.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "$TMPDIR/000001_ocr.png", "$TMPDIR/000001_ocr_tess", "pdf", "txt"]}
|
||||
{"tesseract_version": "5.3.2", "system": "Linux", "python": "3.11.7", "argv_slug": "__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt", "sourcefile": "resources/2400dpi.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "$TMPDIR/000001_ocr.png", "$TMPDIR/000001_ocr_tess", "pdf", "txt"]}
|
||||
{"tesseract_version": "5.3.2", "system": "Linux", "python": "3.11.7", "argv_slug": "__-l__eng__thresholding_method=1__000001_ocr.png__000001_ocr_tess__pdf__txt", "sourcefile": "resources/trivial.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "-c", "thresholding_method=1", "$TMPDIR/000001_ocr.png", "$TMPDIR/000001_ocr_tess", "pdf", "txt"]}
|
||||
{"tesseract_version": "5.3.2", "system": "Linux", "python": "3.11.7", "argv_slug": "__-l__eng__thresholding_method=2__000001_ocr.png__000001_ocr_tess__pdf__txt", "sourcefile": "resources/trivial.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "-c", "thresholding_method=2", "$TMPDIR/000001_ocr.png", "$TMPDIR/000001_ocr_tess", "pdf", "txt"]}
|
||||
{"tesseract_version": "5.3.2", "system": "Linux", "python": "3.11.7", "argv_slug": "__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt", "sourcefile": "resources/graph_ocred.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "$TMPDIR/000001_ocr.png", "$TMPDIR/000001_ocr_tess", "pdf", "txt"]}
|
||||
{"tesseract_version": "5.3.2", "system": "Linux", "python": "3.11.7", "argv_slug": "__-l__eng__000002_ocr.png__000002_ocr_tess__pdf__txt", "sourcefile": "resources/3small.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "$TMPDIR/000002_ocr.png", "$TMPDIR/000002_ocr_tess", "pdf", "txt"]}
|
||||
{"tesseract_version": "5.3.2", "system": "Linux", "python": "3.11.7", "argv_slug": "__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt", "sourcefile": "resources/3small.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "$TMPDIR/000001_ocr.png", "$TMPDIR/000001_ocr_tess", "pdf", "txt"]}
|
||||
{"tesseract_version": "5.3.2", "system": "Linux", "python": "3.11.7", "argv_slug": "__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt", "sourcefile": "resources/3small.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "$TMPDIR/000003_ocr.png", "$TMPDIR/000003_ocr_tess", "pdf", "txt"]}
|
||||
{"tesseract_version": "5.3.2", "system": "Linux", "python": "3.11.7", "argv_slug": "__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt", "sourcefile": "resources/poster.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "$TMPDIR/000001_ocr.png", "$TMPDIR/000001_ocr_tess", "pdf", "txt"]}
|
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{"tesseract_version": "5.3.2", "system": "Linux", "python": "3.11.7", "argv_slug": "__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt", "sourcefile": "resources/poster.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "$TMPDIR/000001_ocr.png", "$TMPDIR/000001_ocr_tess", "pdf", "txt"]}
|
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|
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|
||||
The LinnSequencer
|
||||
32 Track MIDI Sequence Recorder
|
||||
|
||||
The LinnSequencer is a state-of-the-art composition and performance tool for the professional musician. It is
|
||||
extremely powerful, yet amazingly simple to learn and use. It’s many remarkable features include:
|
||||
|
||||
© Operation is similar to multi-track tape recorder with PLAY, STOP, RECORD, FAST
|
||||
FORWARD, REWIND, and LOCATE controls.
|
||||
|
||||
e Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may
|
||||
be assigned to one of 16 MIDI channels. Simultaneously plays up to 16 polyphonic
|
||||
|
||||
synthesizers!
|
||||
|
||||
© Ultra-fast 3!” disk drive stores complex songs in seconds and holds over 110,000 notes
|
||||
|
||||
per disk!
|
||||
|
||||
¢ One or all tracks may be TRANSPOSED at the touch of a key.
|
||||
e Exclusive real-time ERASE function makes editing FAST.
|
||||
e Exclusive REPEAT function automatically repeats any held notes at a pre-selected
|
||||
|
||||
rhythmic value.
|
||||
|
||||
¢ TIMING CORRECTION works during playback and operates without ‘chopping’ notes.
|
||||
|
||||
¢ Optional SMPTE time code synchronization.
|
||||
|
||||
¢ Optional remote control.
|
||||
|
||||
Recording a Sequence
|
||||
|
||||
To record a sequence, simply press RECORD and PLAY,
|
||||
then play your MIDI keyboard in time to the Sequencer’s
|
||||
click track. When the sequence loops back around to bar 1,
|
||||
you’ ll hear what you played—only all timing errors will be
|
||||
corrected! (Timing correction may be adjusted or defeated).
|
||||
Any additional notes played will be added into the track
|
||||
—existing notes are not erased while recording!
|
||||
|
||||
FAST FORWARD, REWIND, and LOCATE controls
|
||||
may be used at any time to quickly access any location in
|
||||
your sequence for spot-recording. To overdub a new part,
|
||||
select a different track and start recording—while you
|
||||
record, the first track will play in perfect sync (unless you
|
||||
MUTE it, or SOLO another track). In this way, up to 32
|
||||
tracks may be overdubbed! All MIDI effects are recorded
|
||||
including pitch bend, modulation, velocity, aftertouch,
|
||||
sustain pedal, and program changes!
|
||||
|
||||
Editing
|
||||
|
||||
To erase a wrong note, simply hold ERASE and press
|
||||
the note to be erased just before it plays in the sequence—
|
||||
when played back, it will be gone. Notes may also be
|
||||
added, erased, or changed using the SINGLE STEP func-
|
||||
tion. To overdub notes at specific points within a sequence,
|
||||
|
||||
Additional Features
|
||||
|
||||
simply use LOCATE, FAST FORWARD, or REWIND to
|
||||
find the desired bar number, then start recording.
|
||||
|
||||
The INSERT/COPY function allows you to move bars
|
||||
from one location to another—in the same sequence or a
|
||||
different one. For example, you might insert a copy of the
|
||||
first verse between the second chorus and the bridge.
|
||||
DELETE BARS operates the same way to remove
|
||||
unwanted sections.
|
||||
|
||||
Creating a Song
|
||||
|
||||
One way to create a song is to record each track all the
|
||||
way through (up to 999 bars). Another way is to record
|
||||
each basic section (verse, chorus, etc.) in individual
|
||||
sequences, then use the CREATE SONG function to “chain”
|
||||
them together. CREATE SONG will then automatically
|
||||
copy all the parts into a new sequence. If desired, you can
|
||||
even set the last few bars to repeat infinitely, for a fadeout.
|
||||
|
||||
Composition Without Compromise
|
||||
|
||||
The technology you use should never be so complex that
|
||||
it interferes with the creative process. That’s precisely why
|
||||
the LinnSequencer is designed to let you compose, record
|
||||
and edit while devoting your undivided attention to your
|
||||
music. See your Linn dealer today for a demonstration!
|
||||
|
||||
¢ Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations. If needed, the
|
||||
|
||||
HELP button displays additional explanations.
|
||||
|
||||
® Non-destructive recording—existing notes are not erased while recording.
|
||||
© Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including
|
||||
|
||||
ERASE, REPEAT, PLAY/STOP, or LOCATE.
|
||||
|
||||
¢ Two TRIGGER OUTPUTS may be programmed to output pulses at any selected note value.
|
||||
|
||||
@ Will sync to standard LinnDrum or Linn 9000 sync tone.
|
||||
|
||||
© Utilizes ultra high-speed, 8 MHz 80186 16 bit computer internally for FAST operation.
|
||||
¢ TEMPO may be specified in BEATS-PER-MINUTE or FRAMES-PER-BEAT at 24, 25, or 30 frames per second,
|
||||
|
||||
(even drop frame!)
|
||||
|
||||
¢ TEMPO may be entered numerically, adjustable in tenths of a Beat-Per-Minute increments, or by tapping quarter notes
|
||||
|
||||
on the TAP TEMPO button.
|
||||
|
||||
¢ TEMPO CHANGES may be programmed into a sequence, with smooth transitions if desired.
|
||||
e Any TIME SIGNATURE may be used, and may be changed within a song.
|
||||
|
||||
linn
|
||||
Linn Electronics, Inc.
|
||||
|
||||
18720 Oxnard Street, Tarzana, CA 91356
|
||||
(818) 708-8131 TELEX #298949 LINN UR
|
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Reference in New Issue
Block a user